The Artist |
Ber Lazarus' development as an artist really began in his late twenties while he was working as a community worker in the Inuit villages of Northern Quebec. There, for the first time, he was exposed to the process of art-making while working with the local sculptors and printmakers. He was hooked. Returning to Montreal, Lazarus enrolled in the Fine Arts program at Concordia University which he completed with distinction. While in attendance he was especially drawn to the work of the surrealists, Marcel Duchamp and his "Readymades" in particular. The effects that the scale of a sculptural work has on viewers became of exploratory interest for him after studying the work of Henry Moore. And sculptural forms in motion, so elegantly created by Alexander Calder, also entered Lazarus' artistic vocabulary. Lazarus currently lives and works in his home studio in Mile End, Montreal. |
The Art |
Art is the space between possibility and actuality, between the idea of a work and the actual work itself, what Lazarus calls the 'Zed-space'. In that ineffable space, he plays with found objects, images and ideas, creating new objects, images and ideas thus contributing to the cosmic cycle of generation, decay and regeneration through art. His objectives in the process are a) to quite simply "make a good picture" as Jeff Wall, the photographer, liked to say; b) to provide the art viewer with an aesthetic experience that continues to resonate long after they view a work, and c) introduce new ways of seeing. Within this process the natural world elides with the industrial. But why found objects? In part, the detritus of industrial civilization and the offerings of nature are plentiful and cheap (mostly free) but more importantly each object brings additional layers of representation and meaning to a compostion, be it pictorial or sculptural. There is a lot more to work with. A bone is a bone but it is also a form, has texture(s) and colour. A house from the board game Monopoly can be used to represent a 'house' but it is also the colour green, which will resonate, or not, with other colours. And so on. Objects
fill our existence. Without them our lives would be empty indeed. Every
object 'speaks' and a multitude of objects together speak volumes. Lazarus'
work is in bringing together specific arrangements of objects to create
a coherent and aesthetically stimulating whole. This finds expression
in all his work be it his ongoing series of unique miniature surrealist
installations in Ex-Libris,
his objects in motion series, Kinetic
Sketches and his most recent series, Object
Art. |
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Recent
work from the "Object Art" series:
By the Dock of the Bay, Tzion
[Graetz, History of the Jews] frcm Ex-Libris. |
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Copyright
© Ber Lazarus 2013 All rights reserved
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